Library Release
Eight Electronic Pieces
Tod Dockstader's self-produced 1961 debut, built after-hours at a New York radio station without institutional support.

Assembled over three years of after-hours studio time at the New York radio station where he worked, without formal training or access to institutions like the GRM, Tod Dockstader’s 1961 debut is a foundational, self-taught document of American musique concrète, informed by Varèse and Schaeffer’s tape experiments and Cage’s aleatory, neo-dadaist aesthetics.